Liz Butler Artist
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  • INSTALLATIONS & EXHIBITIONS
    • Palmer Sculpture Biennial
    • Blood Moon Rising (Series)
    • SOLASTALGIA- Loss & Return
    • SOLASTALGIA - Tall trees & Understories
    • BEST AFTER - Praxis Art Space
    • Compressions Of Being
    • Woodcuts for Ukraine
    • Same River Twice
    • Helpmann Academy Graduates Exhibition
    • Blue Streak (Series)
    • (Sic) Rose
    • 51 Permeations
    • [im] Perfection
    • Placid Motion
    • Oratunga Silt
    • FLEURIEU BIENNALE
    • MBRG 2013 - Monoprints - black and white - Undercurrent with Compressions of Being
    • FISHER JEFFRIES Monoprints - colour No Thinking Aloud
    • Seedling Art Space - 'and so they stood.....waiting'.
    • Arthur Rylah Institute for Environmental Research, Heidelberg, Vic, 2016
    • SERIES >
      • SCULPTURE >
        • The Owl & Pussy Cat
        • Rusted Tank Base >
          • STEEL SHEEP TROUGH - Bonded to Terra Firma
        • WORKS WITH BARK
        • Woodcuts
      • A Thin Red Line
      • Rusted Tin Cans
      • PRINTS >
        • Monoprints - black and white
        • Compressions Of Being
        • Monoprints - colour
    • CANS in Same River Twice >
      • DIGITAL IMAGES >
        • `Prints from Rusted Steel Plates
        • Hands
        • Mixed Media over Lightbox
      • Collage
      • Collage of prints and plant material
  • Rusted Tank Base
  • WORKS WITH BARK
  • Rusted Tank Base

​Sculpture

Work with steel​


The Owl & Pussy Cat (didn't) Go to Sea.
​
This sculpture was initially made to illustrate my take on Edward Lear's poem, The Owl and the Pussycat went to Sea.  I had altered the title to say that in fact they did not go to sea.     At a later date the original sculpture was changed to the trough with wall hanging - ​Bonded to Terra Firma.  
Picture
                    
Picture
The Owl and the Pussy Cat (didn't) go to sea...., 2017,  found Furphy trough ends, silk screen print on steel, acrylic sails, rope, found fishing pole, digital image, 1122W x 300D x 1002H mm. 

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