I call myself an experimental printmaker. Mainly because this is only one part of my practice and I often combine some form of printmaking in my sculptural work. I rarely print editions of my work as I prefer that sense of not being in complete control of the work but rather a process of response to what initially happens between what is envisaged and where that initial mark takes me. The following works have been grouped in method of making.
Lost at sea, monoprint, 1170hx760w. 2016